The photographic projects explore architecture, vegetation and space beyond their immediate human function. Form appears here less as an instrument than as a residue — monumental, cold, precise and strangely self-sufficient.

Structures, halls, bridges, enclosures and fragments of landscape are treated as autonomous presences: elements of a built environment that seem to persist beyond the intentions that produced them.

The three ongoing cycles — Structures, Zones and Flora — approach this territory from different directions: the geometry and repetition of built form (Structures), the suspension and ambiguity of transitional spaces (Zones), and the slow autonomy of vegetation and matter (Flora).

Together, they form a visual study of spaces and forms that continue to exist beyond clear purpose, definition or narrative.